ACCOUNT OF MY DAYS

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  keyword(s) in poems:

Sequence: 10

FRESH START
the author of many leaves...

I ASK YOU
what I am about to do and what...

untitled
The work defines itself, pulls itself...

LARRY MILLER
when you call back there to order the flowers...

ADDENDUM TO LARRY MILLER
punched him in the stomach once...

MY FORTY-NINTH BIRTHDAY
the balance point between years...

THE DROUGHT
if the drought means anything we haven't been told...

I SPEND
hours alone with my books...

SO FAR AS I CAN
the trees at night stretch out...

ANGEL MOUND
stone spades hammers awls...

untitled
sleep drunk from a glass of sleep...

EAST
East, innocence, enormous, a blush over half the sky. Now that...

WHAT IS FUCKED UP ABOUT THIS
is a question that can be answered...

CAN'T STOP TALKING
sat so still you noticed...

SETTLEMENT
1....

PAUSE ON THE ROAD IN CUMBERLAND GAP TENNESSEE
It was speed, the technology of rapidity, that made the nation pos-...

ON THE STAIRS IN THE DARK
it is late to be starting again...

THREE SLEEPS
a sleep that wanders...

WINTER PRAISES
of abandoned nests...

untitled
what will always be true?...

KEEPING AT IT
I recite the alphabet in the traditional way...

TALKING TO THE STONES
I am living before you dissolve...

NOT LAMENTING
a lament I am forbidden to speak...

A:
I think it's that I always had the feeling that what is really true,...

HAVE COME HERE
even when I'm late...

THE DAY AFTER THE DAY AFTER
a place in the paperwork...

7/25/00
beetles crushed between my fingers...

MY CURRENT MOOD
certain observations have broken their heads...

STILL
making no effort if I can...

GOLDFINCH ON A WIRE
black line in his feet...

SUMMER PRAISES
the ground-filling rain...

LISTENING TO
the music that keeps me up late...

THE STONE BOAT
that sled of thick oak planks...

DISAPPOINTMENT
under the shade of the words I wrote...

AUGUST
the fields with their fine catch...

AT THE ENCORE CAFE
with your roast potatoes...

WANDERING POEM
on the road...

MY VACANCY
the old hours come back...

untitled
I protest...

8/3/01
when I go inside...

ONE MOTION
swifts of the city come and go...

THE YEAR OF MY ABSENCE
a number of stones under my feet...

REFUSAL
I am awake now...

11/26/01
in the dark before dawn the stars...

WINTER GENESIS I
mornings on this stone seat...

WINTER GENESIS II
under cold tree branches stacked stones outline...



PAUSE ON THE ROAD IN CUMBERLAND GAP TENNESSEE


It was speed, the technology of rapidity, that made the nation pos-
sible:  the movement from roads and rivers to rail, then wires, a
highway system, the air, etc., until we have nearly arrived at the
point where what we wish to get done in a day can be accomplished
instantly.  Does it stop here, or do we continue to accelerate?
Possibly yes.  And as with the other modes of movement, perhaps we
do this first in imagination, without realizing what is happening to
us.  Thus we begin to experience everything as though it had already
happened, a lifetime of deja vu. This would explain our instantan-
eous boredom, our despair, our cynicism--we've already seen how it
will come out.  The despair is worse than facing death. Death brings
grief, a sense of loss which implies that there were people, places,
things to which we were attached. This other moves us forward into
a life where we never were, where we are irrelevant and nothing that
is can matter to us, who are unconsciously consumed by our obsolescent
birth.  A detachment not balanced by having experienced attachment.


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